TEMPORARY.SHOW

This project brings together a loose collective of artists for ad hoc experiments. These include a combination of Participants who are open to collaborate, formal Collaborators who can run workshops and interventions across our peers, and Contributors who can share more specific resources and experiences.

The Participants
Johannes Buch 

Aidan Celeste

Isaac Azzopardi

Samuel Ciantar

Letta Shtohryn

Stefan Nestoroski

Manuela Zammit

Elaine Bonavia

Keit Bonnici

Collaborators
An Paenhuysen
Florian Weigl
Maja Renn

Collaborators are invited to run workshops and interventions for our loose collective of peers. These workshops generally takeplace on Saturday mornigns, or Thursday evenings. If you'd like to run an intervention, we're more than happy to host and make space for it in our OPEN STUDIO. Subsections are curated, and participants are invited to follow up on each intervention and in their own time.

Contributors for MAY 2021 
Kane Cali (Studio) writing on 3D Scanning, and Printing
Glen Callejja (Studio Solipsis) writing on Mapping and Innovation
Clive Vella (Airwars) writing on Online Resources for GIS Investigations

We are still missing peers who are well versed in the sound arts. If you have any tips, tricks, online interventions, or simply, a useful tool in mind, please go ahead and get in touch on info@temporary.show

More specifically, we are also looking for contributions about: Physical  Computing for Speculative Designs; Hosting Augmented Reality objects in Public Space; Soundscapes with Spoken Word.

 These contributions are generally 500 to 800 words, and will be included in the ongoing toolkit. Contributors are also invited to take on the role of a formal collaborator by providing a workshop for this community and its peer network of artists. 

P A N I C

D    E   M

COVID-19 SHAKES THE WORLD

Here you can find references to publications quoted across Temporary.Show and collected by Driven By Points Made Apart. The link belows is a pdf version of this community's resources. It is designed to view and scroll over your personal phone.

DOWNLOAD HERE

B L O W    UP

&   O T H E R

S T O R I E S

CORTAZAR, J.

(1967). Random House Inc.

http://blogs.ubc.ca/fren512/files/2013/11/cortazar_blow-up.pdf

 

ŽIŽEK, S.

(2020). OR Books.

https://iberian-connections.yale.edu/wp-content/uploads/2020/03/pandemic.pdf

A  N  T  I

FRAGILE:

Things That Gain
From Disorder

Taleb, NN.

(2012). Random House, Inc.

http://en.kgt.bme.hu/files//BMEGT30M400/Taleb_Antifragile__2012.pdf

O  P  E  N

BEELDEN

Open Images is an open media platform that offers online access to audiovisual archive material to stimulate creative reuse. It is an initiative run by Netherlands Institute for Sound and Vision.

https://www.openbeelden.nl/

PRELINGER

A R C H I V E S

BRITISH LIBRARY

S  O   U    N    D   S

Listen to a selection from the British Library’s extensive collections of unique sound recordings, which come from all over the world and cover the entire range of recorded sound: music, drama and literature, oral history, wildlife and environmental sounds.

FAIL   WE    MAY


SAIL WE   MUST

The  story of Andrew Weatherall, and his late collection of remixes. 

http://www.littledogdiscs.co.uk/listing/artistcollection/Andrew+Weatherall

D  I  G  I  T  A  L

SOLID     ARITY

NET         WORK

Digital Solidarity Networks - a shared listing of tools, practices and readings for digital solidarity, conviviality and togetherness by VvvvvvvVVvvvVvVVvvaria

https://etherdump.vvvvvvaria.org/publish/digital-solidarity-networks.raw.html

L  O  G  I  S  T  I  C  A  L


N I  G H T  M A  R E S :

Stories from the global supply chains  

In 2017-2018 the Centre for Research Architecture launches a year-long programme of events, workshops, pedagogical experiments, and field investigations that explore the increasing ubiquity and prominence of logistics as a mode for organising social life and politics. Organised by Lorenzo Pezzani and Susan Schuppli at Goldsmiths University of London, in collaboration with Sonic Acts Academy, Netherlands

https://issuu.com/ctrl-p/docs/reader-cra_reduced

NASA IMAGE

&         VIDEO

L I B R A R Y

NASA content - images, audio, video, and computer files used in the rendition of 3-dimensional models, such as texture maps and polygon data in any format - generally are not subject to copyright in the United States. You may use this material for educational or informational purposes, including photo collections, textbooks, public exhibits, computer graphical simulations and Internet Web pages. This general permission extends to personal Web pages.

 https://images.nasa.gov/

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